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晋装置区哪里拥有大陆生物鲨鱼珊瑚水母亲展览出赁该地资源

儿童歌谣:FAMI畅通日本游玩销量周榜:《塞尔臻传说织梦岛》榜首

2019年10月21日 00:22

很快,雪已经和婧同桌半个月了,雪发现自己变了许多,是因为婧吗?雪不禁担心:会不会影响到成绩???虽然雪愿意和婧一起承担"苦难",可是成绩可不能也变得一样差呀!!! 
    回忆自己这十几天来,没有一天不上课偷偷讲话,作业拖到学校来写,上课不听讲----,够多了,雪要开始认真了! 
    可是婧呢?她似乎仍在无止境地为一些无聊的事情而烦恼,尽管雪和她一样花痴,一样对帅哥品头论足,一样。为一些无聊的事情伤脑筋,可是雪从来没有放弃过对成绩的重视,雪永远是争强好胜的. 
    雪想帮婧,可她明白这是多么的困难,婧不会像个洋娃娃一样听雪的话.雪曾试着去要求她约束自己,雪自己心里也清楚,婧做不到.雪和婧终究是两个世界的人.雪不会有婧的美貌,不会有婧的可爱,而婧不会有雪的好成绩. 
    慢慢的,雪开始约束自己,少和婧在上课时讲话,少去管一些无聊的事情,雪没有陷得太深,爬出来也很容易. 
    
    时间一天天过去,期中考试眨眼就到了,雪不能放过这次机会,雪一定要考进前二十排!!!雪对自己有信心,但又不乏担心. 
    下课,雪仍然到处晃悠,教室里一点紧张的气氛也没有,大家都在说着,玩着,闹着,雪在独自发呆着,痴痴地望着讲台.这时,西跑了过来,后面是恬在追着他跑,后来西停了下来,雪眼睁睁地看着恬把手伸进西的脖子里,而西只当是恬在和他玩,又跑开了. 
    雪觉得很不可思议,班上经常有男女同学打打闹闹,这很平常.可是西和恬这样岂只是打闹.正所谓"男女授受不亲",可雪亲眼看见恬的举动实在令人难以接受,交朋友也没必要这么大胆吧?更何况恬是个女生呀,女生怎么可以做这种事情?西是班上比较斯文的男生,成绩还不错,恬的成绩则更好,上次还考进了前二十名呢!虽然雪早就听说过恬和西的绯闻,可是这亲眼看见的还是让雪大吃一惊.西一向很文静,怎么会这样??? 
    对于恬,雪倒是没有大惊小怪.恬的名声一直不怎么好,婧也告诉过雪,恬很有心计,是个城府很深的人.到底恬是不是真的喜欢西,这很有可能是恬的计划的一部分而已.雪知道恬的底细时,有点害怕,我们才初三,怎么会有这么多心计?雪最讨厌有心计的人,他会害你于无形中,尽管你们是亲密无间的朋友.比起以前一些雪厌恶的行为恶劣的人,有心计的人真是令人厌恶到极点! 
 
   (我把小说的名字改了一下,各位如果能想到什么更好听的名字,传纸条给我哦!!!)

没有繁星,没有月光, 
只有淡淡的悲伤。 
 
静静地坐在窗前, 
欣赏着窗外。 
轻风迎面吹来,很温柔。 
我的思绪也不由自主地随风飘舞…… 
 
飘到那神秘的竹林间, 
竹声沙沙作响, 
听起来似乎在哭泣。 
我轻轻走近翠竹, 
却听见耳畔传来阵阵琴音。 
远处隐约可见有人奏琴, 
那轻盈的手指间飘出的对对音符, 
时刻萦绕在我的心头。 
 
落到那迷蒙的秋雨中, 
心里突然颤了一下。 
雨在笑, 
可,笑得如此哀伤。 
我不明白她到底遇到了怎样的事情, 
竟会如此难过。 
我俯下身来想安慰她一番, 
却见她早已化作清水, 
流入土里。 
或许这是她选择的一生。 
我起身…… 
 
将思绪拉回, 
我依旧坐在窗前, 
窗外依旧那般悲凉。 
不愿面对这一切, 所以选择忘却。 
 
天,变了。 
飘飘然然地下起了雪, 
看着那晶莹的雪花, 
突然落泪了。 
不明白为何哭泣, 不理解为何伤感。 
只觉得那。雪美得有些凄迷。 
那就哭吧, 
哭到痛彻心扉, 
哭到撕心裂肺, 
哭到忘却一切, 
这又何尝不可? 
 
选择流泪, 
其实也是一种幸福。 
 
这夜,如此瑰魅。儿童歌谣
  Once a circle missed a wedge1. The circle wanted to be whole, so it went around looking for its missing piece. But because it was incomplete and therefore could roll only very slowly, it admired the flowers along the way. It chatted with worms. It enjoyed the sunshine. It found lots of different pieces, but none of them fit, So it left them all by the side of the road and kept on searching. Then 。one day the circle found a piece that fit perfectly. It was so happy. Now it could be whole, with nothing missing. It incorporated the missing piece into itself and began to roll. Now that it was a perfect circle, it could roll very fast, too fast to notice the flowers or talking to the worms. When it realized how different the world seemed when it rolled so quickly, it stopped, left its found piece by the side of the road and rolled slowly away.
  The lesson of the story, I suggested, was that in some strange sense we are more whole when we are missing something. The man who has everything is in some ways a poor man. He will never know what it feels like to yearn2, to hope, to nourish3 his soul with the dream of something better. He will never know the experience of having someone who loves him give him something he has always wanted or never had.
  There is a wholeness about the person who has come to terms with his limitations, who has been brave enough to let go of his uealistic dreams and not feel like a failure for doing so. There is a wholeness about the man or woman who has learned that he or she is strong enough to go through a tragedy and survive, who can lose someone and still feel like a complete person.
  Life is not a trap4 set for us by God so that he can condemn us for failing. Life is not a spelling bee, where no matter how many words you"ve gotten right, you"re disqualified if you make one mistake. Life is more like a baseball season, where even the best team loses one -- third of its games and even the worst team has its days of brilliance. Our goal is to win more games than we lose.
  When we accept that imperfection is part of being 。human, and when we can continue rolling through life and appreciate it, we will have achieved a wholeness that others can only aspire to. That, I believe, is what God asks of us -- not "Be perfect", not "Don"t even make a mistake", but "Be whole. "
  If we are brave enough to love, strong enough to forgive, generous enough to rejoice5 in another"s happiness, a。nd wise enough to know there is enough love to go around for us all, then we can achieve a fulfillment that no other living creature will ever know.
  
  从前有一只圆圈缺了一块楔子。圆圈想保持完整,便四处寻找失去的那块楔子。由于它不完整,所以只能滚动很慢。一路上,它对花儿露出羡慕之色。它与蠕虫谈天侃地。它还欣赏到了阳光之美。圆圈找到了许许多多不同的配件,但是没有一件能完美地与它相配。所以,它将它们统统弃置路旁,继续寻觅。终于有一天,它找到了一个完美的配件。圆圈是那样地高兴,现在它可以说是完美无缺了。它装好配件,然后滚动起来。既然它已成了一个完整的圆圈,所以滚动得非常快,快得以至于无暇观赏花儿,也无暇与蠕虫倾诉心声。圆圈快奔急驰,发现眼中的世界变得如此不同,于是,它不禁停了下来,将找到的那个配件留在路旁,又开始了慢慢地滚动。
  我觉得这个故事告诉我们,从某种奇妙意义上讲,当我们失去了一些东西时反而感到更加完整。一个拥有一切的人其实在某些方面是个穷人。他永远也体会不到什么是渴望、期待以及对美好梦想的感悟。他也永远不会有这样一种体验:一个爱他的人送给他某种他梦寐以求的或者从未拥有过的东西意味什么。
  人生的完整性在于一个人知道如何面对他的缺陷,如何勇敢地摒弃那些不现实的幻想而又不以此为缺憾。人生的完整性还在于一个男人或女人懂得这样一个道理:他(她)发现自己能勇敢面对人生悲剧而继续生存,能够在失去亲人后依然表现出一个完整的人的风范。
  人生不是上帝为谴责我们的缺陷而给我们布下的陷阱。人生也不是一场拼字游戏比赛。不管你拼出多少单词,一旦出现了一个错误,你便前功尽弃。人生更像是一个棒球赛季。即使最好的球队比赛也会输掉1/3,而最差的球队也有春风得意的日子。我们的目标就是多赢球,少输球。
  我们接受了不完整性是人类本性的一部分,我们不断地进行人生滚动并能意识到其价值,我们就会完成完整人生的过程。而对于别人来讲,这只能是一个梦想。我相信这就是上帝对我们的要求:不求“完美”,也不求“永不犯错误”,而是求得人生的“完整”
  如果我们勇敢得能够去爱,坚强得能够去宽容,大度得能够去分享他人的幸福,明智得能够理解身边充满爱,那么我们就能取得别的生物所不能取得的成就。
  
  注释
  ①wedge n.楔 vt.楔入;挤入
  ②yearn vi.想念,怀念,向往
  ③nourish vt.提供养分,养育
  ④trap vt.设陷阱捕捉;诱捕
  ⑤rejoice vi.欣喜,高兴


  Ma began 1998 with the release of Inspired by Bach on Sony Classical, a unique multimedia collaboration with artists from six different disciplines.In addition to the soundtrack recording, with Ma"s new interpretation of the six solo cellos suites of J. S. Bach, the release also includes six short films capturing the cel-list"screativeencounterswithgardendesignerJulieMoir Messervy, choreographer Mark Morris, Kabuki actor Tamasaburo Bando,filmmak。er Atom Egoyan,the eighteenth-century artist and architect Piranesi,and ice dancers Christopher Dean and Jayne Torvill.The films have been released on home video by Sony Classical and have won numerous honours—including two 1998 Emmy Awards 。and 16 Canadian Gemini nominations. Later in the year, Sony Classical released the world premiere recording of John Tavener"s Wake Up…And Die, paired wilh Ma"s perfor mance of Tavener"s celebrated work for cello and orchestra, The Protecting Veil.
   Ma"s remarkable year also included the continued success of Appalachia Waltz, an original recording of traditional American fiddle music that featured Ma with Nashville-based violinist Mark O"Connor and bassist Edgar Meyer, as well as his performance in a music video for director Sally Potter"s feature film The Tango Lesson, in which he plays Astor Piazzolla"s "Libertango." In the last two years, two of Ma"s Sony Classical recordings--Hush with vocalistBobbyMcFerrinandthesoundtracktoImmortal Beloved--have been certified gold records by the Recording Industry Association of America.
   In November 1997 Ma was named Artist of the Year in the Gramophone Awards.
   The magazine noted,"In a year of quite extraordinary diversity, the cellist Yo-Yo Ma has shown that the boundaries of "classical" music need not be restraining as he has vaulted spectacularly from classical cello concertos,to blue-grass1 music via a disc of tangos to a host of2 specially composed works featuring his remarkable talent…" With Ma, there is only one category of music--the kind he wants to make." The Gramophone prize capped a remarkable year of achievement in recording.
  As a performer, Ma maintains a balance between his engagements a。s soloist with orchestras throughout the world and his recital and chamber music activities. He draws inspiration from a wide circle of collaborators, having created programmes with such artists as Emanuel Ax, Daniel Barenboim, Pamela Frank, Jeffrey Kahane,Young Uck Kim,Jaime Laredo,Bobby McFerrin, Edgar Meyer,MarkO"Connor,Peter Serkin,Isaac Stern, Richard Stoltzman and Kathryn Stott. Each of these collaborations is fuelled by the interaction between or among the artists, and often that process produces music that extends beyond the boundaries of a particular gee, classical or otherwise. One of Mr.Ma"s goals is to understand and demonstrate how music serves as a means of communication in both Western and non- Western cultures.To that end, he has taken time to immerse himself in projects as diverse as native Chinese music and distinctive instruments and the music of the Kalahari bush people in Africa.
儿童歌谣我为什么会喜欢这不起眼的莲呢?这其中还有一段来历呢!今年夏天,我在外婆家玩。外婆家有一个大池塘,池塘上盛开着一朵朵鲜艳美丽的荷花,可美啦!满塘的荷花荷叶,远远望去就像碧波上荡着点点五颜六色的帆,煞是好看。风一吹,它们就迎风摇摆,发出“哗哗”的响声,像在鼓掌。 
我看着这美丽的风景,不禁感叹:荷花真不愧是花中仙子!但唯。一美中不足的是它下面脏兮兮的泥,真是大煞风景。我想:为什么用淤泥不用水呢?真是的!不如我把淤泥弄走吧。 
说干就干,我用桶把淤泥捞上来,再用橡皮管把自来水注进水池里。这一来一去的费了我不少工夫。太阳火辣辣地炙烤着大地,好象非要把我烤焦了不可。直到黄昏时我才干完。我看着我辛辛苦苦干出来的杰作,好不得意。 
可后来荷花一天天地枯萎,我非常着急。怎么办啊?我就去请教有学问的舅舅,并把事情一五一十地告诉他。舅舅听后笑着说:“你这个傻孩子,荷花正是有了淤泥才那么美丽啊!”我后悔极了,原来淤泥含有丰富的营养,荷花一离开它就不能生存了。唉,我真是好心办坏事啊!我再也不为我那愚蠢的主意骄傲了。 
经过这件事我懂得了红花还须绿叶相衬的道理。不光是主角重要,配角和丑角也。是有用的。淤泥虽然丑陋,但这样才能衬托荷花的美丽啊!所以,淤泥也是美丽的! 

儿童歌谣:亚冠前瞻剖析:鹿岛鹿角VS广州恒父亲广州恒父亲客场壹胜于难寻求?

我边大边对方皓说:“快走啊!你想死啊你!” 
  他猛然回过神来“哦,好好,那你呢?” 
  “我?你不用管,我可以应付,到门外等我们!”他应了一声就跑了。 
  正和那帮人大得不可开交时,楚蒙拉着我飞了出去,兰萱也跟了出来。来到门口,方皓却没有在那里,我四处找了找,都没他的踪影。 
  “也许他先走了吧!我们还是。快走吧,眼下顾不得那么多了!”说完楚蒙就要把我拉走。 
  我挣脱了他,说:“不会的,我让他在外面等我的,我相信他一定会守信用。在凉歆家住了那么久,我也算比较了解他了,他不是那种人。他现在不在这里,只有一个可能,那就是被抓走了!” 
  话音刚落,楚蒙的大哥就出来了,他的手下正把刀架在方皓的脖子上。 
  “挺聪明的嘛!不过,再聪明也救不了他了!” 
  “你想怎样?他和你无怨无仇,为何要抓他?”我恨恨地看着他。 
  “楚逸,你放了他!”楚蒙也对他吼了起来。 
  “哟!怎么不叫大哥了?真是不尊敬人呀!要我放他倒也容易,只要你跟我回去,否则,他就得死!”楚逸的声音由低到高。 
  “喂!你这人可真卑鄙啊方皓跟他又没什么关系,楚蒙会为了一个跟他不熟的人送了自己的命吗?你这分明就是想要方皓的命嘛!” 
  “小丫头,没你说话的份!我问的是楚蒙,你给我老实点一边呆着去!”楚逸轻蔑地看了我一眼。 
  太过分了!居然敢看不起我!正要动手时,我被楚蒙拦住了“好我,我答应你!”他淡淡地吐出几个字,我惊讶地看着他“不过,我要和紫芸说几句话,说完就跟你们回去”说完,他拉着我来到了一棵树下。 
  “紫芸!”他开口了“虽然相识不久,但我知道我已经喜欢上你了。我知道你不喜欢我,从你看方皓的眼神我就能看出来”我喜欢方皓吗?我问自己,正要向他说什么,他却把食指竖在嘴边示意我不要说话。他继续说:“现在父王死了,你也可以不和我成亲了,一切由你。不过我想知道,你心里有没有一点在乎我?”他充满期待地看着我。 
  “说实话,我把你当作我的朋友,你人真的很。好,但是……我希望你不要太看重我,我是个半妖,根本配不起你”我低着头不敢看他。 
  “我只想知道你有没有一点在乎我?”他又问了依次。 
  “我……有,但只是朋友的那种,因为我不可能喜欢你的……”话还没有说完,他就打断了我“我知道你有在乎过我就行了,其他的不用说。好了,我们走吧!哦,对立,我跟大哥会魔域他一定不会让我活太久的,不过,依他的性格,他会折磨我,然后再杀我。如果你不想我死,可以去白虎岭找一个叫史旭腾的人来救我” 
  楚蒙被楚逸带走了。 
  “对不起啊!都怪我不会武功,才让楚蒙被那个楚逸带走的,都怪我!”方皓自责道。 
  “好了,这不怪你,只怪楚逸太卑鄙了!好了,我们走吧!” 
  “去哪里?” 
  “去白虎岭找史旭腾救楚蒙”我淡淡地开口。儿童歌谣你逝去 
           那只斑斓的彩蝶 
           不肯 在我的窗口停留。 
           余晖如血 你的眼眸如风 
           睫毛 
       。    似两排栅栏落下 
           丘比特的神箭长满铜锈 
           那抹绯红的玫瑰 
           在血色的黄昏之后 
           跌落尘埃 
           一切的开始注定一切的结局 
           一切的结局注定一切的开始 
           我把无悔的日子 
           编织成一串 
           无法命题的如烟往事 
 
 
 
 
 
   SP:我只是我的心情随笔,不过还是挺有趣,只要你认真体会, 
      同时请大家多支持!!。!!


  Ma began 1998 with the release of Inspired by Bach on Sony Classical, a unique multimedia collaboration with artists from six different disciplines.In addition to the 。soundtrack recording, with Ma"s new interpretation of the six solo cellos suites of J. S. Bach, the release also includes six short films capturing the cel-list"screativeencounterswithgardendesignerJulieMoir Messervy, choreographer Mark Morris, Kabuki actor Tamasaburo Bando,filmmaker Atom Egoyan,the eighteenth-century artist and architect Piranesi,and ice dancers Christopher Dean and Jayne Torvill.The films have been released on home video by Sony Classical and have won numerous honours—including two 1998 Emmy Awards and 16 Canadian Gemini nominations. Later in the year, Sony Classical released the world premiere recording of John Tavener"s Wake Up…And Die, paired wilh Ma"s perfor mance of Tavener"s celebrated work for cello and orchestra, The Protecting Veil.
   Ma"s remarkable year also included the continued success of Appalachia Waltz, an original recording of traditional American fiddle music that featured Ma with Nashville-based violinist Mark O"Connor and bassist Edgar Meyer, as well as his performance in a mu。sic video for director Sally Potter"s feature film The Tango Lesson, in which he plays Astor Piazzolla"s "Libertango." In the last two years, two of Ma"s Sony Classical recordings--Hush with vocalistBobbyMcFerrinandthesoundtracktoImmortal Beloved--have been certified gold records by the Recording Industry Association of America.
   In November 1997 Ma was named Artist of the Year in the Gramophone Awards.
   The magazine noted,"In a year of quite extraordinary diversity, the cellist Yo-Yo Ma has shown that the boundaries of "classical" music need not be restraining as he has vaulted spectacularly from classical cello concertos,to blue-grass1 music via a disc of tangos to a host of2 specially composed works featuring his remarkable talent…" With Ma, there is only one category of music--the kind he wants to make." The Gramophone prize capped a remarkable year of achievement in recording.
  As a performer, Ma maintains a balance between his engagements as soloist with orchestras throughout the world and his recital and chamber music activities. He draws inspiration from a wide circle of collaborators, h。aving created programmes with such artists as Emanuel Ax, Daniel Barenboim, Pamela Frank, Jeffrey Kahane,Young Uck Kim,Jaime Laredo,Bobby McFerrin, Edgar Meyer,MarkO"Connor,Peter Serkin,Isaac Stern, Richard Stoltzman and Kathryn Stott. Each of these collaborations is fuelled by the interaction between or among the artists, and often that process produces music that extends beyond the boundaries of a particular gee, classical or otherwise. One of Mr.Ma"s goals is to understand and demonstrate how music serves as a means of communication in both Western and non- Western cultures.To that end, he has taken time to immerse himself in projects as diverse as native Chinese music and distinctive instruments and the music of the Kalahari bush people in Africa.
儿童歌谣这时,电话铃响了起来。小樱向哥哥嫂子摆摆手:“我来接”小樱拿起话筒:“喂,您好。木之本家”“是小樱吗?”电话那边的声音似乎勾起了小樱埋藏在内心深处的记忆,缥缈却熟悉“你是哪位?为什么我好象有一种认识你的感觉?”小樱急忙回问“我是你的妈妈抚子,你一定要相信我”那个女人平静地说道“不!不可能是这样!妈妈早就死了!”小樱尖叫起来“谁让你这么激动?”桃矢关月问“哥哥,你自己听吧”小樱小声地说。桃矢接过话筒,问:“你是谁?”“桃矢!是你啊,我是你妈妈啊!”电话那头的声音激动起来。桃矢的心。拧成一个疑团,但觉得这个声音绝对是妈妈的:“妈妈,是妈妈?!你还活着!”“叫小樱去企鹅公园的滑梯那儿见我,我有事要对她说”抚子平静地说,然后挂断了电话“哥哥,是妈妈啊。她怎么了?有什么事”待桃矢挂了电话后小樱问“她说要到企鹅公园的那个滑梯那儿和你有话要说”桃矢利索地回,“不过,小心骗子”“知道了,哥哥”小樱飞也似的拿着包出门了。  
  小樱走到滑梯那儿果然就见到了跟自己家里照片上一模一样的女人,开口便问:“请问是抚子妈妈?”“小樱!是你!怎么叫妈妈‘抚子妈妈’?对了,我有事要对你说”抚子开始没注意到小樱来了,后来笑着对小樱说“我不敢确定你是不是,但是我想知道是什么事”小樱礼尚往来,用了大美女的资本笑了“小狼是你的亲生哥哥——也就是说,我在生你之前就已经生了他了。那时我正出差,而有一天我不舒服去医院检查时发现我怀孕了,在出差的一年中第6个月就生下你哥哥小狼,我非常怕你爸爸怀疑我就把他送到了李夜兰家里让她代为抚养。你爸爸得知这事后不做声,但对我非常冷淡了。你出生后几年里,他没有对我说过一句话!”抚子哭着说“什么!”小樱的脸变得阴沉,她自己的恋人竟是自己的亲生哥哥!“你爸爸借故对所有的人撒了谎,之后我四处流浪,再后来你就全部知道了”抚子哭得更厉害了。小樱不敢也不想再多问,一下子跑回了家,把所有的事全部告诉了家人。  
  “我回来了。恩?小樱,你怎么脸色不太好啊!对了,我对可谁——哦,就是冉再曲感觉很好”爸爸说“你一直在骗我!妈妈没有死!我要 和小狼分手!因为他是我哥哥!你抛弃了妈妈!”小樱眼里满是愤怒,装不下任何人的话“我没有,我说了我没有”爸爸不好怎么跟女儿解释于是只好回了几句话“骗子!你毁了我!”小樱泪深深的,跑进了房。间,把自己关了起来。

儿童歌谣:“最美洗脚丫儿子妹”刘丽关怀农丈夫工讨薪合肥趾浴店生意很好

带走的是沧桑, 
留下的是希望。 
春风带着细雨走过, 
朦胧了双眼, 
滋润着新生。  
 
爱在心中泛滥, 
留下牵挂,带走梦。想。 
却不知。是否会辜负您的期望? 
爱在眼中闪亮, 
放开双手,腾飞希望。 
却不知思念的泪水何时能止?儿童歌谣曾经拥有  
          如果曾经拥有彩虹, 
          别忘了, 
          是经过, 
          狂风暴雨。 
 
          如果曾经拥有成功, 
          别忘了, 
          是经过, 
          无数失败。 
 
          如果曾经拥有欢笑, 
          别忘了, 
          曾经拥有, 
          泪水。     
 
          如果曾经拥有美好, 
          别忘了, 
          曾经拥有, 。
      。    恐怖。    

儿童歌谣:佰亿票房黄渤、谭卓主演新干《被光抓走的人》新片到来袭



    新年的脚步是从第一片雪花盛开开始的。片片雪花纷纷扬扬,飘飘洒洒,是终点的总结,是起点的开始,簇拥着脚步向远方延伸、延伸…… 
    从遥远的天空飘下的雪呵,在北方是情意绵绵的温馨,在南方是翠竹园中节节拔高的呻吟。此刻,枯竭的枝条得到了滋润,地下冬眠的蚯蚓也象睡醒了一觉要翻翻身。 
    河流因雪的嬉戏更加纯洁,高山因雪的覆盖更加深沉。伴随着春天的片片信笺,背负行囊的人们身后留下一道深深的脚印。 
    那一片雪,可是卖火柴的小女孩手中点亮寒冬的火焰,那洁白的色彩、那闪烁的光泽,使人在星光的照耀下对春天的向往如此坚韧。 
    雪是一片花,有着花的芬芳、花的娇媚,有着花一样喜悦的气氛;
雪是一段情,有着情的缠绵,情的深厚,更有着情一样绵绵不断的忠贞。 
    雪是新年的一声祝福,从头到尾写满春天的诗句;
雪。是春天的使者,用短暂的生命撞击春天的大门。 
    如果说新年是驾着四季马车急驶而来的,那么雪就是赶车的人;
如果说新年是从人们的问候中开始吐蕊的,那么每一句问候都是雪对大地的一往情深。 
    守着雪,守着从雪中渐渐响起的钟声,幸福从此弹奏;
守着雪,守着一段记忆,沉醉其中,温暖灵魂。 
    雪把新年簇拥而来,新年在你我的问候中是。扑面而来的早春. 

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